Art and Death


I have some discretionary writing time today, meaning it’s okay to pick any one of 99 things to work on. Unsure of where to start, I consult the heap of to-do notes. The top piece of paper suggests a little chore with no commercial value, and not germane to any ongoing project of mine. Something to look up just purely because my nosy brain wants to know. How are you supposed to say “euphemism”?

I once had a prof who said “yoo-foo-ism,” which I figured was either ignorance or affectation. Maybe at University he had belonged to an exclusive literary society, whose members recognized one another in the larger world by their twee mispronunciations of certain words.

So the other day I’m listening to an audiotape of David Foster Wallace essays (not the ones he himself narrated) and it includes lists of words that interested DFW. For one of them, the reader says “yoo-fee-ism” – which I assume is “euphemism” with the middle M omitted. The definition Wallace had jotted down for it was “ornate, allusive, overpoetic prose style” which sounds right.

So I goes to Wikipedia, and I skims the article, just on general principles, and there it is: the happy accident the Goddess wanted to guide me to, today. The nugget of novelty, the serendipity, the bit of information that hooks into something else I’ve been thinking about. Here it is:

Among indigenous Australians, it is forbidden to use the name, image, or recording of the deceased.

That opens up a world of questions. In my life as an artist, one of the peak experiences was an exhibit of Australian aboriginal paintings. I’m pretty sure some of their creators were no longer alive. Yet their names were displayed next to their works. In books, too. And theoretically, it would be wrong to use the name, image, or recording of any artist still living, either. Because after that person dies, the photo or recording, or the printed syllables of their name will still exist.

Maybe the names of the dead should remain unsaid, but no matter how fervently the indigenous Australians hold that belief, I’m guessing that the government requires every kind of name on every kind of paperwork. The corollary to that would be, I bet everybody has a secret name that is never, ever divulged to the authorities or written anywhere. Because that would be the only way to observe the taboo. If some ancestor’s name is on a gallery wall next to a painting, so what? It never was their real name anyway.

Or maybe I got this idea from The Last Wave. There’s another thing to look up. Along with the answers to several other questions raised by this notion.

Also, a dead guy is the screensaver on my computer. Maybe I do him a grave (ha) disservice by keeping him around like that. Maybe in the spirit world, it is considered incredibly rude.

P.S.      In “euphemism,” the middle M is definitely pronounced.

P.P.S   Ha ha, but I’m still wrong. The thing kept bothering me, so I found a picture of the actual page of the book, and what Wallace had on his vocabulary list was “euphuism,” a word new to me. The dictionary suggests what sounds like “yoo-fyoo-ism.” So the professor, all those years ago, was right, and not saying the word I thought he was saying, and that’s okay. But it still doesn’t explain why the narrator of the audio book said “yoo-fee-ism.”

And anyway, it led to the thing about the Australians.


The painting “Oubliette” could be yours!

Moving — Yuck


Relocation is such a drag, and this will probably turn into a whole series of pisses and moans about what a stone bummer it is. When moving is in the cards, the first thing I think about is how to reduce the bulk.

In between times, I think about how things could be sorted out, to achieve a drastic reduction of cubic footage. A kind of mental triage process is always going on, calculating what to get rid of next, with the rough outline of a plan ready to spring into action when a move is announced. What if, at the next place, there is only half as much space?

Here’s an example of the dilemma. Say I have three large beautiful pieces of cloth, with different qualities – one is very lightweight, another is dark and thick enough to block out light, and the third has a waterproof side. On principle, I don’t mind getting rid of two, and just keeping one – but which? In the next place I live, there’s a very good chance that a big swath of fabric will be needed for something. And it will probably be one of the pieces I got rid of. Sigh.

A person might say, “So if you want to reduce the amount of stuff, let all three of them go. You can always find another piece of cloth.” But no. For the car-free person, that’s a major expedition, half a day, at least, spent biking or busing to somewhere and back. It’s a big expenditure of time. And just after a move, there isn’t usually a lot of discretionary cash lying around. Balancing all the factors, maybe it is worthwhile to keep three pieces of cloth, just in case, even if it does add to the amount of stuff that will need to be moved.

One thing I’ve become resigned to, in moving, as in everything else: it’s really hard for a lot of people to relate to a car-free person. They just don’t get it.

Cats or Crack?


(06/12/13 —  In the light of recent events, it makes sense to note that this was written about ten years ago, the last time I had to change residences. That time was really sad. I lived in part of a basement apartment belonging to a young couple who were trying to buy this really cool house, but even with a bunch of housemates, it didn’t work out, and everybody had to scatter. If they’d been able to hold onto the place, I’d be there still. Also I should mention this was first published by the late lamented )


Here’s a dilemma. I’ve been offered the chance to share a house with my oldest woman friend. “Sounds good,” you may be thinking. “What’s the problem?”

The problem is, a couple of cats have resided in the house for years, and I’m hideously allergic to cats. What happens is straight out of a horror movie. My eyeballs melt. The sclera, the skin of the eye, swells and puddles in the outer corners. The sensation is exactly like a rogue eyelash, only in reverse. The eyeball oozes outward to meet the world, encountering other structures, including eyelashes, on its adventurous journey.

Sometimes, in an interesting variation, tiny blisters form on the narrow ledge between eyelashes and eyeball – the part where I have a confused memory of applying kohl-type makeup in my younger, much stupider days. The third thing that happens is a sensation like a two-inch spike driven through the eye socket into the brain. The fun is in never knowing which of the three tortures will manifest. They all have the same effect of being so annoying and distracting, I lose 50 IQ points. Even on a good day, I don’t have that many to spare.

Basically, an attack of cat allergy means being unable to concentrate on anything, or do any useful work. Or carry on even the most trivial conversation without snarling. It means banishment from life: lying down and sleeping until the episode is over. This is fine for a person who has nothing else to do, but unsuitable for one who, at any given time, has multiple artistic projects in the works. Not to mention the little matter of making a living. There may be methods of earning the daily bread that I don’t know about, but most of the ways I’ve heard of require being awake. Preferably, with all available IQ points present and accounted for.

Still, the notion of living with my favorite female human is very attractive. Nice place, out in the country, peaceful and quiet, and of course, good company. Except for the cats. Would it be possible, I wonder, to coexist with them? It’s definitely worth looking into. Let the research begin.

The main advice that’s out there for the cat-allergic is: don’t have cats. Well, duh. The next best thing is to re-purpose them as outdoor cats – which in most places will probably bring complaints from the neighbors. And from the cats, especially if they’ve been declawed to satisfy a landlord or preserve the furniture. “How am I supposed to protect myself?” they ask. Anyway, I doubt that Lynne would kick the cats out. After all, they were there first. Okay, how about keeping them out of the bedroom? Or confining them to only one room? That could work – except, this house is pretty old, and keeping the inside doors open is probably the only way to avoid freezing in winter or broiling in summer.

Here’s a piece of wisdom from the Department of LOL: Keep the cat off the upholstery. Yeah, right. Cats are so good at following orders. Though undeniably cuter, a cat is less trainable than a tapeworm. Like the proverbial 800-pound gorilla, a cat sleeps wherever it damn well pleases. In terms of doability, keeping a cat off of anything is right up there with the squared circle and the perpetual motion machine. It ain’t happenin’.

Where cats choose to sit doesn’t really matter anyway, thanks to the remarkable properties of the thing that causes cat allergy. We used to think it was hair, and then we thought it was dander, but now we know the villain of this tragedy is a substance from the secretoglobin family, affectionately known as Fel d 1. It’s a protein, but not the kind you want to blend into a smoothie. It comes out of cats in their saliva, sweat, sebaceous glands, urine etc. A very large amount of it comes out of their faces, probably from the scent marking equipment located there. Male cats produce more of it than females, and un-neutered males produce more of it than anybody.

The real kicker here is, Fel d 1 totally debunks the cliché of feline cleanliness. The allergy problem is mostly due to their habit of licking themselves all the time. The Fel d 1 is transferred onto the millions of hairs that make up the fur, where it desiccates into billions of tiny flakes which disperse and float away to raise airborne hell. It’s as if the cat’s entire body was fiendishly designed to be the ideal biological warfare delivery system.

There’s a rumor that hairless cats are okay, but they’re not. And neither are “hypoallergenic” cats. Any cat that secretes saliva, oil, urine, or any other kind of liquidy gunk – in other words, any cat – will produce Fel d 1.

The little molecular crystals (or, perhaps, crystalline molecules) are teensie, much littler than mold spores or pollen grains, and thus heinously invasive and almost impossible to filter out. And Fel d 1 is notoriously sticky. It adheres to walls, ceilings, furniture, curtains, carpets, appliances, clothes hanging in the closet, shoes and boots, toys, light fixtures, game machines – in short, every surface and every crevice, everywhere in the house. And everywhere that’s not the house, too. Public places such as high-rise office suites, where no cat has ever set paw, can harbor enough Fel d 1 to strike down the susceptible.

If you live in a cat-free environment, and a cat-owning friend comes over to visit, your environment will be cat-free no more. Your friend will import Fel d 1, clinging to clothes, hair, skin, and shoes, and pretty soon your place will be plastered with toxin, bringing unwelcome events to your wretchedly allergic life.

And the stuff hangs around. Even when cats are removed from a home, the most optimistic forecast predicts that a noticeable amount of allergen remains embedded in everything for at least six months, and that’s despite vigorous removal efforts. Generally, it’s more like years. Which is one reason landlords are so mean. It’s not only the damage your cats are likely to inflict on the premises during the term of your lease. It’s the lingering essence that makes future tenants suffer in ways they didn’t ask for and certainly don’t deserve.

So, even in the unlikely event that Lynne would exile her cats to the great outdoors, making her house livable would mean getting rid of all the carpets and furniture. And the temporary removal of everything else, to make way for extreme cleaning of every surface. Somehow, I don’t think that’s in the cards. But I’m not ready to give up. Is there any possible way the cats and I could occupy the same segment of time-space continuum? With sufficient expenditure and effort, might it be done? Google brings up a new sequence of web pages, full of advice from experts.

Buy a HEPA vacuum cleaner for $800-$1200, plus whatever it costs to periodically replace bags, filters, etc. These high-class machines are the only kind capable of trapping the infinitesimally small Fel d 1 particles. Throw in a few extra bucks for the masks and goggles to wear while vacuuming, because the activity stirs up the latent crap and distributes it through the air. And remember to keep the protective gear in place while replacing the bags and filters, or cleaning the parts, or whatever other maintenance the device needs, which entails wallowing in clouds of Fel d 1. Vacuum every day, or at the very least, twice a week. Hit the floors, whether carpeted or bare, the walls, the ceiling, the curtains, and the furniture. This of course involves much switching around of the various custom wands adapted for different surfaces and configurations. And of course before vacuuming, you dusted with damp rags. Which now have to be washed.

Buy an air purifier for $500-$800, plus, on a regular basis, replacement filters at $80 to $150 a pop. Find a place to put the air purifier, which should not be on the floor. You can get just one, for the most vital room, but there really should be one in every room. Working against them is the action of the heating and air conditioning systems, if you are lucky enough to have such things, which move air throughout the house. The solution? Cover the heat vents with layer upon layer of cheesecloth. Which needs to be bought, cut, shaped, secured into place, and regularly replaced. And keep the litter box or boxes in an area unconnected to the air supply for the rest of the home – where would that be? And install a cat flap, so the animals can get in and out of their special toilet room.

Then the search engine turns up a study where some participants used air-cleaning machines with actual filters, and the rest had air-cleaning machines with no filters. In other words, they were the control group, with placebo air-cleaning machines. Results: The levels of allergens floating around in the air were reduced – but – there was no difference in the settled-dust levels, or in the symptoms experienced by the allergic people. In other words, this study indicates that, where cat allergy is concerned, air cleaners amount to nothing more than noisy, energy-consuming, expensive, useless knick-knacks.

You also need a vapor steam cleaner, available for $500 – $1800. The upscale model is accompanied by a bewildering array of accessories designed to disinfect various surfaces. To use the machine requires training, so it comes with a DVD that gives directions for every kind of cleaning task, plus an instruction manual to back up the DVD, and a cheat sheet to back up the instruction manual. What you’re supposed to do with this thing is regularly clean every surface – floors, walls, ceiling, furniture, appliances, curtains, windows, etc. The instructions courteously remind you not to forget the ceiling fans, which gather deposits of Fel d 1 on the blades and then disperse them into the air when the fan goes around. If you don’t already have a ladder, go out and buy one. And check your insurance policy for the specifics concerning self-inflicted injuries sustained while clambering up there to steam-clean the ceiling fan.

Here’s where I start to have real problems with the whole concept. Any place I’m likely to inhabit will have many square yards of paintings on the walls. I doubt that steam-cleaning is good for them. Any place I’m likely to inhabit will contain many cubic feet of books on shelves. Steam-cleaning is probably not beneficial for them, either. Any place I’m likely to live is going to have a computer, monitor, keyboard, printer, and scanner. I’m not totally confident that steam-cleaning is healthy for any of those items, either.

And what about the cats? They, of course, have to be cleaned too. You’re supposed to buy special cloths permeated with something or other, and wipe down their fur every day. And special shampoo to bathe them in once a week, using distilled water only, because tap water also leaves residue on the fur. (Just ignore that other expert who says none of these measures do a damn bit of good.) Since you’re allergic to Fel d 1, before washing the cats, you’ll need to suit up – mask and gloves, which also cost money, last time I checked. And after the grooming and bathing are done, just like after refurbishing the litter box, it’s a shower and a complete change of clothing for you. Your clothes, like your bedding, need to be washed with special allergen-killing laundry detergent, in 140-degree water, if you are lucky enough to own a washing machine and a water heater capable of producing water at such a temperature.

That’s not all. There’s even more stuff you can buy, such as denaturing sprays to use on the upholstered furniture and drapes, if you are foolish enough keep those things. The best way is to replace all soft furniture with hard, smooth-surfaced chairs and couches made of cleanable material such as plastic. And replace curtains and drapes with blinds, whose surfaces don’t collect so much Fel d 1. Of course, you must buy special, ultra-engineered, non-trivially-priced food for your cats, which is said to reduce the amount of allergens generated by their little bodies.

So we’re looking at an initial investment of many, many dollars, with additional supplies and replacement parts to be purchased as needed. In my particular case, supposing I managed to convince Lynne to throw out all her carpets, upholstered furniture, and curtains, there would still be the question of how I, living in a rural area without a car, would get hold of all the gizmos and liquids and filters.

And that’s not even considering the time eaten up by all this shopping and vacuuming and steam-cleaning and cat-washing: daily, constant, unremitting labor. If only I weren’t cat-allergic! Well, maybe I don’t have to be. I once went to a seminar on conflict resolution, that broke it down into three possibilities.

One: Change the other person (that would be Lynne, hypnotized by my irresistible charm into ditching the cats and/or most of her belongings. Do you see this happening? I don’t.)

Two: Change the environment (buy thousands of dollars worth of gear, and do hundreds of hours of work per year.)

Three: change yourself. So, back to the quest, this time looking for ways not to be allergic to cats.

There are over-the-counter antihistamine preparations which, going by my past experience, do little more than dry out the mucous membranes and cause sleepiness. No good. Some authorities propose green tea, mangosteen juice, and numerous other nutritional and herbal remedies which I’m perfectly willing to try. Plus, they have the added advantage of being the only ones I could hope to afford, on the budget of a starving artist. But what if they didn’t work? Then, I’d be a starving artist stuck out in the country with creatures that made me feel like hell. Not a good bet.

Allegedly, a person’s immune system can be trained out of cat allergy by injections, 25 of them over a three-month period, or, according to another source, weekly for four to six months. Followed by monthly injections for several years. And the treatment doesn’t always work, and sometimes the shots cause horrible reactions. Besides, how would a person without a car, in a rural area, manage all those trips to the doctor, located no doubt in some distant large city? Even supposing a person could afford it. And if that person is me, forget it. My unwillingness to get involved with the medical establishment ranks right up there with my unwillingness to get involved with the justice system. Having successfully avoided both of them for years, I plan to continue doing so.

In the late nineties, there was some talk of a vaccine to end cat allergy but, like so many promising medical discoveries, it seems to have disappeared before full development. Then there’s the appealingly-named SLIT therapy, which involves placing drops of liquid cat-allergen under the tongue. This was said to be effective in slightly over half the experimental subjects, of whom there weren’t very many in the first place. Other studies say it works no better than a placebo, and side effects can be as bad as the allergy itself. At any rate, this therapeutic modality doesn’t seem to have hit the market yet.

Then you’ve got your Energy Based Allergy Elimination, in which the practitioner holds a vial of Fel d 1 in one hand while adjusting the patient’s various acupuncture points with the other. Hmmm. Similar is the self-administered therapy known as EFT, where the afflicted person goes through a complicated ritual of repeated affirmations while tapping on the end points of the body’s energy meridians, as well as sundry other maneuvers.

What amazes me is that people are willing to do any or all of these things so they can have cats around the place. If the purpose of so much expense and effort were to keep a chronically ill child alive, or to care for a beloved partner, well, that would be different. But just for the privilege of living with cats? I don’t think so. If I’m going to adopt a habit that requires the equivalent of a full-time job’s work-week, and the expenditure of thousands of dollars, I’ll take crack.


Oh, Okay

David Foster Wallace said, look at this bullshit, and it’s kind of surprising, when you think of it, how richly rewarded he was for saying it. Look at this shit, look at your shit, look at my shit, and even though he was no different or better than anyone else, a certain segment of the population bowed to him and described him in superlatives. It seems like elevation was uncomfortable for him, even knowing he worked hard and deserved it.

I’m guessing that for DFW, interviews must have been hell. You spend years writing, eviscerating yourself onto pages, then they put a microphone in front of you and ask you to say something.

The whole practice of interviewing writers, and especially painters, and more especially musicians, may come under the heading of “unclear on the concept.” Yes, these people have something to say. In their book, painting, or performance, they said it. What more does the world want? Plenty, as it turns out.

One of the things a creative person is supposed to explain is, how he or she got to be so special. People want to be special, too. So the artist spills the beans… “Well, I practice every day…” and they’re like, “No, really, tell us the secret. So the artist says, “Okay, I smoke a lot of reefer…” and they’re like, “No, really, tell us the secret.” And so on.

Even when some obliging fellow like Baltasar Gracian writes it all down, spells it all out, step by step – here’s exactly what you must do to achieve success – they pick and find fault. They don’t listen, because they don’t really want to know.

Then again, some do, and wisdom is out there for them to find. Any advice book, any how-to-live system, has nuggets of gold in it. There are things that, if you do them, your life will change. Myths and folklore embody the stories of what happened in the past, when real or imaginary people acted on various tenets of their how-to-live systems.

One thing about the Sixties, the cultural not the calendrical Sixties, was that we got a fresh supply of myths and stories to supplement or supplant the ones we grew up with. Our stockpile of Disneyfied European fairy tales was shoved aside to make way for an influx of stories from the sages of the East, a vast territory encompassing myriad traditions and thousands of, to us, fresh narratives.

A story that resonated with me was about a monk who lived on a hill, and one day a delegation of village elders hiked up there and handed over a baby they said he had caused, and would now be responsible for. The monk knew he hadn’t fathered a child, but he was like, “Oh, okay.” He took care of the little boy for seven years. One day, a delegation of village elders climbed the hill and told the monk that the boy’s mother had admitted her lie, and they would take the child back. And the monk was like, “Oh, okay.”

Non-attachment, versus the ten thousand things. Sigh.

Pink Curtains

Braggin’ on Cynthia Manuel

About that circle of creative folks that every artist needs…

Cynthia Manuel, for instance. First of all, what kind of an insanely optimistic looney-tune would open a used book store in this era ruled by Amazon? It’s a quest of Joan of Arc-ish proportions. The Eclectic Reader website is gorgeous, so there’s no point in gilding the lily by adding anything here except the link.

The Eclectic Reader
Strangely, in the distant past, before meeting here in Fort Collins in 1986, Cynthia and I both lived in the same part of California. When I moved here, her previous shop, Toad Hall Books, was one of the first places I took note of.

When I published Salon: a Journal of Aesthetics, we had a publication party at Toad Hall. The theme was “Fahrenheit 451 – come as the book you would memorize, if all books were to be burned.” (Actually, all you had to do was write the title on a sticky label and affix it to your clothing in the collarbone zone.) It was a terrific event that found the zine some new writers, artists, and fans.

Cynthia took part in the Banned Books Read-Ins, quite a few years back.

Banned Books Read-In

And more recently, at The Eclectic Reader, I threw in my two cents worth at a symposium about how to spend less money on nonsense, and more on buying ourselves our creative time.

Braggin’ on Theresa Rose

An essential thing for an artist to have is a gang of brilliant artistic friends. And do I ever! One of them is Theresa Rose. I became a fangirl way back when I first moved to town, and read an article about Theresa and the guy she used to be married to. I exclaimed, to the guy I used to be married to, “We gotta meet these people!”

What with one thing and another, Theresa and I eventually were members of a co-op art gallery, and this is us getting ready for a show.

Area Artists

Here’s Theresa with one of her life-size rock star portraits:

A Rock 'n' roll artist
She did a couple of covers for Salon: A Journal of Aesthetics, which I used to publish, and also contributed several segments of her gorgeous graphic novel “The Dragon Priest” to various issues of the zine.

Here’s one of her drawings from that period, “Khordan the Guitar Hero.”

Khordan the Guitar Hero

And now she has written a novel that is everything a novel ought to be. Plus, Golden River has made it through the first two levels of a major writing competition. Here is the soon-to-be-renowned author, just a couple of months ago.

Theresa Rose

In another role, Theresa is a muse. At a site called Cache La Pottery, you can see some of the artworks by sculptor and ceramicist Dan Slack, that she has inspired. And Theresa’s own work in the ceramic medium just knocks my socks off.


Using Other People’s Stuff

A lot of people give their stuff away for free these days. Some of the best things ever said, by some of the most brilliant contemporary thinkers, turn up on Facebook and Twitter. And podcasts  – don’t get me started.

Online, people give their stuff away without even caring that anyone knows who made it. Like all those clever “memes,” the pictures grabbed from pop culture, or newly created. The words range from moronic to excellent. We make these objects, and unleash them upon the world as freebies.

meme examples

But there are times when a person wants credit. For instance, any time when they didn’t give permission for their material be repurposed for someone else’s benefit. If you publish another person’s words, pictures, or thoughts, it hurts no one to give them credit. Plus, then you have class.

When I edited a zine, Salon: A Journal of Aesthetics, it used to drive me crazy, and not in a good way, to run across something that would fit perfectly in one of the theme issues – and not be able to trace who did it. So they could be credited. I’m still uncomfortable with sharing things I think are cool, because “Did the person really mean to pass it around for free, or did someone else make that decision for them?”

I Heart Joshua Tree

Joshua Tree is famous for free climbing, and as a setting for psychedelic experiences, which is another kind of free soloing. Mostly, it’s famous for music.

For me, Joshua Tree has been a never-ending source of inspiration, and led to the creation of several paintings, known as Joshua Tree Dreamings.

Here is a bunch of Joshua Tree music information, which is good as far as I know. Additions and corrections are welcome.

Entering Joshua Tree

Musicians Who Live or Have Lived at Joshua Tree:
This information is good as far as I know, but corrections are welcome.

Harriet Allen
Elia Arce
Rojer Arnold
Bingo Dream Band
Brant Bjork – founding member of Kyuss & Fu Manchu
Peter Blackstock
Steve “Dandy” Brown – Orquesta del Desierto sessions. “My wife and I had come to Joshua Tree when we first started dating… kept the town in our thoughts over the next few years, and we knew that at some point we wanted to live here. Bringing Orquestra to Rancho de la Luna has been one of the wisest production choices I’ve ever made.”
Eric Burdon – had a house here as early as 1968. In 2000, the “Rockin’ for Joshua Tree” Earth Day benefit concert in Palm Springs was against the Eagle Mountain Landfill
Fred Burke
Dave Catching
Robyn Celia
Dean Chamberlain – partner in Rancho de la Luna. Code Blue. Quit music to make films
Dick Dale
Desert Sessions – began by Josh Homme in 1997
Donovan – spent much of the 1970s here
Fred Drake — (died in 2002) earthlings?
Steve Earle
Tim Easton – musician and painter
Shari Elf and the Fairy Elf Bandart queen
Bob Forrest
Buzz Gamble
Howe Gelb
Giant Sand
Golden Animal
Chris Goss – Masters of Reality, Stone Temple Pilots, Queens of the Stone Age, Kyuss
Kristin Hersh – song “White Trash Moon” refers to childhood home near Joshua Tree
Josh Homme – Queens of the Stone Age
Honky Tonk Train
Deborah Iyall – Romeo Void
Duane Jarvis
Joshua Tree – U2 tribute band
Joshua Tree Didgeridoos
Joshua Tree Roots Festival
Mark Lanegan – Queens of the Stone Age
Brent Lewis – studio in Joshua Tree
Juke Logan
Shawn Mafia
Tony Mason
Robert Matsuda
Johnette Napolitano – moved herself and reunited Concrete Blonde to the desert and said “I specifically bought land that had Joshua trees on it.”
Mark Olson – Left the Jayhawks in 1995 to move to Joshua Tree. He didn’t work with Gary Louris again until 2001, when they got together at Olson’s desert home to write some songs. In 2005, Olson split up with wife Victoria Williams and left Joshua Tree
Orquesta del Desierto
Purple Mountain Matinee
Queens of the Stone AgeSongs for the Deaf is a concept album built around things heard on the radio on a journey to Joshua Tree
Kristina Quigley
Ted Quinn
Gram Rabbit
Steve Roach – “The Breathing Stone is about the Joshua Tree area. During my last five years in LA…increasing trips to the Joshua Tree desert gave me the recharging needed to live in LA. It was after my second trip to Australis that it got to the point of no returning. I just had to leave it all behind and go to the next edge, leaving the roar of the city for the roar of the silence I find in the desert.”
Mark Nishita Ramos – “At least once a month, I have to get away [from LA]. I have a place out by Joshua Tree where I can hit the reset button.”
Rancho de la Luna – single-level ranch house and recording studio. Some of the older Kyuss records, earthlings?
Kevin Richey – Bingo Band, Rancho de la Luna associate
Rim Rock Rhythm Pushers
Mike “Razz” Russell – Bass, violin, mandolin. With Mark Olson and Victoria Williams, shunned major labels and put out seven albums in seven years as the Original Harmony Ridge Creek Dippers.
SawtoothJoshua Tree CA
Shadow Mountain Band
Thrift Store All Stars
Jesika Von Rabbit
Dusty Wakeman – started Gramfest
Wild Ass Ranchers
Victoria Williams
Nancy Wilson
Wooden Nickel
Yard of Blondes
Jackie Young

Music Videos Shot All or Partly at Joshua Tree

Jessica Andrews “There’s More to Me Than You”
Paul Oakenfold “Starry Eyed Surprise”
Allison Moorer “Send Down an Angel”
Shelby Lynne “Run Away”
Zwan “Honestly”


Other Musicians Associated with Joshua Tree:

Tommy Aguilar (fictitious)
Bartenders Bible
Frank Black
Byrds – have stayed at the Inn
Camper van Beethoven
Canned Heat
Captain Beefheart — in the Sixties, with Magic Band
John Carco
Concrete Blonde
David Crosby – Desert Sessions
The Donnas
Greg Dray
The Duke Spirit
Eagles – have stayed at the Inn
Eagles of Death Metal
Nick El Dorado
Eighties Matchbox B-Line Disaster
Marianne Faithfull
Paul Finley
Golana – Native American flutist, considers himself a “rock sitter” and often composes out in nature at Joshua Tree
Chris Goss
Josh Grange
Dave Grohlhis talk with Marc Maron is one the grandest discoveries of the year
Emmylou Harris – Gram Parsons’ singing partner and now main keeper of his musical flame
PJ Harvey
Don Heffington
High or Hellwater
Itchy Pet
Alain Johannes
Blade Jones (fictitious)
“Sneaky” Pete Kleinow – of the Flying Burrito Brothers and many other creative endeavors. His memorial service was held at the Joshua Tree Retreat Center, Jan. 27, 2007
Boomer Lalli
Jim Lauderdale
Bernie Leadon – Eagles
Shelby Lynne
Samantha Maloney – Hole. Desert Sessions
Brendon McNicholl – Queens of the Stone Age
Craig Nuttycombe
Van Dyke Parks
Gram Parsons – International Submarine Band, The Byrds and The Flying Burrito Brothers. Joshua Tree was where he wanted to be, alive or dead. Here he watched for UFOs and got close to the elemental forces of nature, and expressed a wish to be cremated at Joshua Tree. After his death his manager and another friend took custody of his body and did their best to fulfill that desire. The memorial plaque near Cap Rock says “Safe at Home,” and a yearly music fest is held at Joshua Tree in honor of Gram Parsons. A book of photos, called Joshua Tree, by Rudy VanderLans, is dedicated to Parsons.
Robert Plant
Twiggy Ramirez – aka Jeordie White
Savoy Brown
Mike Stinson
Rolling Stones — (especially Keith Richards, who hung out with Gram Parsons and supposedly wrote “Sweet Virginia” at Joshua Tree)
Leon Russell
Tom Russell
Natasha Schneider
Sky Saxon and The Seeds
Xander Smith
The Spores
U2 – 1987 album named for Joshua Tree
Dean Ween
Clarence White
Lucinda Williams – her astonishing talk with Marc Maron


Radio Free Joshua Tree — founded 12/12/12
“Joshua Tree” is the National Park, the village itself, the surrounding desert communities and a state of being, sought around the world. The mission of Radio Free Joshua Tree (RFJT) is to bring Joshua Tree to the World –and the World back to Joshua Tree — through the voices of its musicians, artists and poets; its elders and its youth. Rising out of a community rich in creativity and natural beauty, RFJT will focus first on the music inspired by or created in the desert, including work by those who pass through briefly, as well as those who have passed before us. RFJT will gather the many different voices that have found themselves in the desert, literally and metaphorically.

Desert Rats - Joshua Tree

Visit my paintings, the Joshua Tree Dreamings


Untitled by Egan Snow
Art Queen by jkracow
Desert Rats – Joshua Tree by Jared Eberhardt
Entering Joshua Tree by The Javelina
Leaving Joshua Tree by The Javelina
Joshua Tree CA by davecito

Leaving Joshua Tree

Joshua Tree Paintings

JT dreamings

The Dreamtime is a temporary autonomous zone where anything goes. Change is the only constant. Things are consistent through their very inconsistency. Symbolism can be traditional and shared throughout the culture or it can be very personal and subjective.

Joshua Tree Dreaming 3

The Dreamtime reconciles opposites. In the Dreamtime it can be day and night, past and present, simultaneously. Sun and stars, moon and rainbow, can coexist. Things can be seen from inside and outside, from level ground and from the sky above. Abstract and representational; spiritual and material; in the Dreamtime all dichotomies are reconciled.

Joshua Tree Dreaming 8

These paintings are called Urban Aborigine because I’m a contemporary American city-dweller who possibly used to be an Australian Aborigine in a past lifetime. I don’t know what else could explain it. The paintings are done while listening to didgeridoo.

Joshua Tree Dreaming 4

Joshua Tree Dreaming 5

Like the aboriginal art which inspires them, the paintings have no up-down orientation but can be hung any way. Also like the work which inspired mine, most of the paint was applied with twigs from trees.

Joshua Tree Dreaming 12

Joshua Tree Dreaming 10

Joshua Tree Dreaming 10 detail

Joshua Blossom Dreaming

Turtle Rock Dreaming

Joshua Tree Dreaming 11

Joshua Tree Dreaming 6

Joshua Tree Dreaming 9

Joshua Tree Dreaming 7

Joshua Tree Dreaming 13

Visit the page that contains a wealth of information about music and Joshua Tree.